Thoughts on Writing About the Future of the City (UrbanOmnibus.net)
“To bring New York down to date, a man would have to be published with the speed of light – and not even Harper is that quick.” – E. B. White
In 2005, the corner of Plaza Street and Eastern Parkway in Brooklyn was a weedy parking lot for Union Temple, the oldest congregation in the borough. As of this writing, in the first days of 2009, there’s a smooth gray sidewalk, a few freshly planted saplings, and a 15-story, 102-unit glass condominium building, designed by the architect Richard Meier, being busily punch-listed for its first occupants.
Does that change – this particular building and rebuilding of the city – seem fast or slow? It’s a question I find myself asking twice most mornings: first, while walking by that construction site on my way to Prospect Park, and then again an hour or so later, sitting down at my computer to write, as a journalist, about buildings and the city. What strikes me is how different the question seems in each context – how sharp the disconnect is between the immediacy required of journalism and the sheer evolutionary slowness of the city itself.
This is not a new concern of architecture journalists, but it is one more often put in spatial rather than temporal terms. Do we write about figure or ground, the building itself or the building in context? Maybe it’s the prospect of a few years of stillness, but I’ve recently been thinking more about time. And what’s obvious is that the city is slow, and we write too fast.
